Artists available
Anthony Goicolea
Biography
1971 | Born in Atlanta, Georgia |
Lives and works in New York |
Education
1989 | La Universidad de Madrid |
1989 - 92 | Art History and Romance Languages, University of Georgia, B. A. |
1992 - 94 | Drawing and Painting, University of Georgia, B. F. A. |
1994 - 96 | Sculpture and Photography, Pratt Institute of Art, M. F. A |
Fellowships and Awards
2006 | The Cintas Fellowship |
2005 | The BMW Photo Paris Award |
1998 | The Bronx Museum, 'Artist In The Market Place' program |
1997 | The Joan Mitchell Foundation Grant |
Solo Exhibitions
2015 | Here and Elsewhere, Galerie Ron Mandos, Amsterdam, The Netherlands |
2014 | Middle Ending, Galerie Crone, Berlin, Germany |
NSEW, Monte Clark Gallery, Vancouver, Canada | |
Widow’s Speak, Luis Adelantado,DF, Mexico | |
2013 | Permanent Marker, Galeria Ron Mandos, Amsterdam, The Netherlands |
Wandering Wild, La Galeria Particulier, Paris, France | |
2012 | "Anthony Goicolea", Galerie Senda, Barcelona |
2011 | "Alter Ego: A Decade of Work by Anthony Goicolea," NC Museum of Art, Raleigh, NC travelling to Telfair Museum, Savannah GA, 21c Museum, Louisville, KY (cat.) |
2010 | HOME, Ron Mandos, Amsterdam |
DECEMBERMAY, Scheibler Mitte, Berlin | |
Related, Houston Center for Photography, Houston | |
2009 | Once Removed, Postmasters, New York |
The Last Man Standing: Retrospective of Photography & Video works, Fireplace Project, Easst Hampton, NY | |
Related, Museum of Contemporary Art, Denver | |
2008 | Related l, Scheibler Mitte, Berlin |
Related ll, Haunch of Venison, London | |
Related III, Sandroni Rey, Los Angeles | |
Almost Safe, Monte Clark Gallary, Toronto Canada | |
2007 | Almost Safe, Postmasters, New York |
The Septemberists, Gallery Hyundai, Seoul, Korea | |
Gallery Hyundai, Seoul, Korea (with Norbert Bisky and Martin Maloney) | |
Haunch of Venison, Zürich, Schweiz (with Mat Collishaw) | |
2006 | The Septemberist, Aurel Scheibler, Berlin |
Drawings, Gallery Sandroni Rey, Los Angeles | |
The Septemberists: New Drawings, Photographs & Video, Monte Clark Gallery, Toronto, Canada | |
2005 | Anthony Goicolea: Photographs, Drawings and Video, The Arizona State University Museum of Art, Tempe, AZ |
OUTSIDERS: Photographs and Video, Cheekwood Museum of Art, Nashville, TN | |
Sheltered Life, Postmasters, New York | |
Anthony Goicolea, Galeria Luis Adelantado Miami, FL | |
Estaciones / Stations, Galeria Luis Adelantado, Valencia | |
2004 | Tea Party, Video Installation, Madison Avenue, Calvin Klein Space, New York |
Anthony Goicolea, New Videos, Spazio – (H), Milano | |
Boys Will Be Boys, The John Michael Kohler Arts Center, Sheboygan, WI | |
Kidnap, Torch Gallery, Amsterdam | |
Kidnap, Sandroni- Ray, Los Angeles | |
Sheltered Life, Aurel Scheibler, Cologne | |
2003 | Snowscape, Video Installation, Art Unlimited, Basel |
Aurel Scheibler, Cologne | |
Casa De Americas, Madrid | |
Contemporary Center of Photography, Melbourne | |
Videos, Gallery 845/ LAAA, Los Angeles | |
Cotthem Gallery, Brussels & Barcelona | |
Gow Langsford, Auckland, New Zealand | |
Gow Langsford, Sydney, Australia | |
Photos & Films, The Green Barn, Sagaponack, NY (curator: Edsel Williams) | |
2002 | Neue Fotographien und Zeichnungen, Galerie Aurel Scheibler, Köln |
Art Space, Auckland, New Zealand | |
Land, RARE, New York | |
Torch Gallery, Amsterdam | |
Water, Sandroni-Rey, Los Angeles | |
Arizona State University Art Museum, Tempe, AZ | |
The Museum of Contemporary Photography, Chicago, IL | |
2001 | Detention, RARE, New York |
MCMAGMA, Milan | |
Angstrom Gallery, Dallas, TX | |
The Corcoran College of Art and Design at The Corcoran Gallery of Art, Washington D.C. | |
2000 | SOLO, Vedanta, Chicago |
Fabien Fryns, Marbella, España | |
Galeria Luis Adelantado, Valencia | |
1999 | You and What Army, RARE, New York |
Group Exhibitions
2015 | I am, Always New, KCAD, Grand Rapids, MI |
2014 | A Book between two Stools, Boghossian Foundation, Brusells, Belgium. |
Cuban America, An Empire State of Mind, Lehman College Art Gallery, Bronx, New York. | |
Vanitas, Works from the Collection of Stephane Janssen. Arizona State University Museum of Art | |
Hybridity, 21C Museum, Bentonville, AK | |
2013 | The Adventures of truth, Levy Foundation Maeght, Saint-Paul-de-Vence, France |
2012 | 3am: Wonder and Paranoia, Bluecoat Gallery. Liverpool, UK |
2011 | Hide/Seek: Different and Desire in American Portraiture, Brooklyn Museum, New York |
Late Summer Blues, Storefront Gallery, Brooklyn | |
"DEAD_Lines. Der Tod in Kunst-Medien-Alltag", Von der Heydt Kunsthalle Wuppertal- Barmen | |
2010 | Haunted - Contemporary Photography/Video/Performance, Guggenheim Museum, New York, Bilbao |
Stars and Models, International Fotofestival, Knokke-Heist, Belgium | |
2009 | International Photography, Gow Langsford Gallery, Auckland, New Zealand |
Generation, Art Gallery of Alberta, Edmonton, Alberta | |
Masculine: Interpretations of Manhood, Charles Cowles Gallery, NY | |
MI VIDA, From Heaven to Hell, Mücsarnok, Budapest | |
2008 | Darger-ism: Contemporary Artists and Henry Darger, American Folk Art Museum, New York |
Oh l’amour, Center for Creative Photography, University of Arizona, Tucson, AZ | |
Boys of Summer, The Fireplace Project, East Hampton, NY | |
Badlands: New Horizons in Landscape, Mass Moca, MA | |
Gen-X: Post-Boomers and the New South, Mobile Museum of Art, Mobile, AL | |
AMERIKA: Back to the Future, Postmasters, NY | |
People and Places: Selections from the Allen Thomas Jr Photography Collection, SECCA (Southeast Center of Contemporary Art), Winston-Salem, NC | |
Rethinking Landscape: Contemporary Photography from the Allen Thomas Jr. Collection, |
Cobra to Contemporary, Artnews Projects, Berlin | |
2007 | Existencias, MUSAC, Leon, España |
Global Anzieties, College of Wooster Art Museum, Wooster, OH | |
Innocence Now, Artspace Witzenhausen, Amsterdam | |
Role Exchange, Sean Kelly Gallery, New York | |
Ich wars nicht (curator: Norbert Bisky), Haus am Waldsee, Berlin | |
Max. Durchfahrtshöhe, Galerie ScheiblerMitte, Berlin | |
Best of KunstFilmBiennale, Apeejay Media Gallery, New Delhi, India | |
New Directions in American Drawing, Columbus Museum, Columbus, GA | |
Anthony Goicolea / Norbert Bisky / Martin Maloney, Gallery Hyundai, Seoul | |
2006 | ;Krieg der Knöpfe, Ursula Blickle Stiftung, Kraichtal, Germany, Kunstmuseum Arhus, Denmark, Landesgalerie, Linz, Austria |
The Food Show, Chelsea Art Museum, New York | |
Will Boys Be Boys? Indianapolis Museum of Art | |
Coolhunters, Kunsthalle Budapest | |
Die Jugend von heute, Schirn Kunsthalle, Frankfurt/Main | |
Middle Ground: Photographs from the Whitney Museum of American Art, Columbia University, New York | |
Looped: Engages in Time, CAS Gallery, University of Miami | |
Modern Photographs, Miami Art Museum | |
Sensacions en Primeira Persona, CGAC, Santiago de Compostela, España | |
Connivences, Collection Stéphane Janssen, Musée Dixelles, Belgique | |
Cintas Exhibition, Finalists, The Buena Vista Building, Miami | |
2005 | Buenos Aires 7th Festival Internacional de Cine Independiente, Argentina |
KunstFilmBiennale, Cologne | |
In Focus, Contemporary Photography from the Allen G. Thomas Jr. Collection, North Carolina Museum of Art, Raleigh, NC | |
Western Biennale, guest currated by Edward Lucie-Smith, John Natsoulas Gallery, Davis, CA | |
Desvelar Lo Invisible, Videocreacion contemporanea, El Consejeria de Cultura y Deportes, Comunidad de Madrid, Madrid | |
Mixed Up Childhood, Auckland Art Gallery, Auckland, New Zealand | |
My So-Called Life, Monte Clark Gallery, Toronto | |
Observetori 2005, Museo de las Artes, Valencia, Spain | |
Narratives of the Presumed Invisible, Kunsthalle Lophem, Lophem, Belgique | |
2004 | Tombe La Neige, Galerie Anne de Villepoix, Paris |
Only Skin Deep, Changing Visions of the American Self, International Center of Photography, New York | |
A Fripon Fripon et Demi – Pour une école Buissonnière, Collection Lambert, Avignon, France | |
True Fictions – Lebende Bilder in der Fotokunst der Postmoderne, Stadtmuseum Hofheim/Taunus, Germany | |
The Amazing and the Immutable, University of South Florida, Contemporary Art Museum, Tampa, FL | |
Nocturnal Emissions, Groninger Museum, Groningen, The Netherlands | |
Out of Place, Part II, Indianapolis Museum of Contemprary Art, Indianapolis, IN | |
Is One Thing Better Than Another, Aurel Scheibler, Cologne | |
Boys Will Be Boys, The John Michael Kohler Arts Center, Sheboygan, WI | |
2003 | Mursollaici, Centre Culturel Suisse, Paris |
Interplay, Museo de Arte de Puerto Rico | |
Child in Time, Gemeente Museum, Helmond, The Netherlands | |
Naked Before God, The Museum of New Art, Parnu, Estonia | |
Reality vs. Fiction, Jamaica Center for the Arts, Queens, NY | |
Regarde, il neige (schizogéographie de la vie quotidienne), Centre national d'art et du paysage de Vassiviere, France | |
Mama's Boy, White Columns, New York | |
2002 | Neue Fotographien und Zeichnungen, Aurel Scheibler, Cologne |
Situated Realities, Maryland Institute, College of Art, Baltimore, MD, MCAD Galleries, | |
Situated Realities, Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena, CA | |
Situated Realities, MCAD Galleries, Minneapolis College of Art and Design, Minneapolis, MN | |
Guide to Trust No. 2, Yerba Buena Center for Arts, San Francisco and other locations | |
Constructed Realities, Grand Arts, Kansas City, MO | |
Interplay, Miami Design District, Miami | |
Home Movies, SF Cameraworks, San Francisco | |
Hash Browns Potatoes, Smack Mellon Studios, Brooklyn | |
Whisper, Galerie Aurel Scheibler, Köln | |
Subjectivity: Photography of Themselves: Anthony Goicolea, Arno Minkkinen, Zhang Huan, Cindy Sherman, Morimura, Zhoa Bandi, Bob Carey, Arizona State University Art Museum, Tempe, AZ | |
Enough About Me, Momenta, Brooklyn | |
The Dubrow Biennial, Kagan Martos, New York | |
Art Downtown: New Photography, WallStreet Rising, New York | |
2001 | Collector's Choice, Nassau County Museum of Art, Roslyn Harbor, NY |
For Skin, Henrique Faria Fine Arts, New York | |
ART Miami '01, Miami Beach, FL | |
2000 | Good Business is the Best Art, The Bronx Museum, NY |
Sidelong Glance, IM n IL, New York | |
Flesh of the Boy, Flesh of the Girl, P.S. 122, New York | |
Summer Show 2000, Angstrom Gallery, Dallas, TX | |
Untitled (Conjecture), SF Cameraworks, San Francisco, CA | |
New New York, Texas Fine Arts Association, Austin, TX | |
Collectors Choice, EXIT ART, New York | |
Artists’ Studio Benefit Tour 2000, Art in General, New York | |
1998 | Gender (Con)sumption Assumption Exhibition, The Bronx Museum, Bronx, New York |
Open, TATE, New York, NY | |
Artist in the Marketplace: Eighteenth Annual Exhibition, The Bronx Museum of Art, NY | |
Stony Brook Union Art Gallery, New York | |
CBGBÕs Gallery, New York | |
Hard, TATE, New York (two-person exhibiton) | |
Posers, White Columns, New York | |
1997 | Flat Files PIEROGI 2000, Brooklyn, NY |
Manly, Art in General, New York | |
Human Arts Gallery, Atlanta | |
450 Broadway Gallery, New York | |
One (Boy) Show, The New Gallery, New York | |
Small Works Show, The Brooklyn Brewery, NY | |
1996 | Clot: MFA Thesis Exhibition, Pratt Studios, Brooklyn, NY |
The Smurf Problem, Calculator, New York | |
K.O.A.P Gallery, New York | |
Benefit for the Bailey House, Leo Castelli Gallery, New York | |
Male, 124 Ridge Street Gallery, New York | |
Sick, The New Gallery, New York |
Public Collections
The Hirshhorn Museum and Sculpture Garden, Washington, DC
The Indianapolis Museum, Indianapolis, IN
The North Carolina Museum of Art, Raleigh Durham, NC
Whitney Museum of American Art, New York
The Museum of Modern Art, New York
The Guggenheim Museum of Art, New York
The Brooklyn Museum of Art, Brooklyn, NY
Arizona State University Art Museum, Tempe, AZ
The Museum of Helmond, Nederland
The Groninger Museum, Groninger, Nederland
Museum of Contemporary Photography, Chicago
Yale University Art Collection, Photography, New Haven, CT
El Museo de Arte Contemporaneo de Castilla, Leon, Spain
The Herbert F. Johnson Museum of Art at Cornell University, Ithaca, NY
Centro Galego De Arte Contemporanea, Santiago de Compostela, Spain
University of Georgia Library, Rare Books Collection, Athens, GA