Publications
- Ernst Wilhelm NayExhibition catalogueAurel Scheibler, Berlin and Verlag der Buchhandlungen Walther König, Cologne2019----------
- Peter CainExhibition catalogueAurel Scheibler, Berlin & Matthew Marks Gallery, New York2005----------
- Christoph WeddingExhibition catalogueAurel Scheibler & Buchhandlung Walther König, Köln2006----------
- Stefan LöffelhardtExhibition catalogueBeate Ermacora, New York2009----------
- Stefan LöffelhardtMonographAurel Scheibler, Berlin & Verlag der Buchhandlung Walther König, Köln2008----------
- Dan McCarthyExhibition catalogueAurel Scheibler, Köln & Anton Kern, New York2003----------
- Jack PiersonArtist bookIrish Museum of Modern Art, Frankfurter Kunstverein & Edition Stemmle AG2008----------
- Ernst Wilhelm NayExhibition catalogueErnst Wilhelm Nay Stiftung2012----------
- Ernst Wilhelm NayMonographHrsg. E. W. Nay Stiftung, bearbeitet von Magdalene Claesges2012----------
- Ernst Wilhelm NayExhibition catalogueAurel Scheibler, Berlin and Verlag der Buchhandlung Walther König, Köln2016----------
- Jack PiersonArtist bookPowerhouse Books und Thea Westreich, New York & Aurel Scheibler, Köln1995----------
- Jack PiersonArtist bookPowerhouse Books, Thea Westreich, Aurel Scheibler Cologne1995----------
- Bridget RileyExhibition catalogueAurel Scheibler & Galerie Max Hetzler, Berlin2007----------
- Claudia SchinkArtist bookStädtische Galerie Wolfsburg & Stadtmuseum Siegburg2002----------
- David SchutterExhibition catalogueAurel Scheibler, Berlin2007----------
- Peter StaussArtist bookAurel Scheibler, Köln2002----------
- Erwin WurmExhibition catalogueMuseum Moderne Kunst Stiftung Ludwig Vienna2006----------
Ernst Wilhelm Nay - Das Polyphone Bild
Ernst Wilhelm Nay (1902–1968) used color as the theme of his art. It was the means and the goal of his work, not only in his paintings but also in most of the gouaches, watercolors, and drawings. This publication presents a good 110 works on paper, reflecting the development of the artist throughout his career. From the 1937 images of Lofoten, with their intense depictions of nature, to the postwar Hecate pictures, which still contain figurative elements, the energy of the colors can be seen as they continue to unfold ever more freely in the subsequent Fugal paintings. In 1955 the disc became his predominant visual motif, and Nay guided the colors to create peaceful harmonies. In 1963 he began crossing out the discs, almost automatically forming the shape of an eye, and in his final paintings he pared back the intensified drama of the eye pictures, reducing the colors to an ornamental juxtaposition of planes.
The catalogue is in German
Texts by: Volker Adolphs, Stephan Berg, Erich Franz, Stefan Gronert, Ulf Küster, Christoph Schreier, Roland Scotti
Layout by: Andreas Schmidt